Fatih Rosli
Graphic Design, Typography & Identity                    
SGT
Project Overview


Fatih is a graphic designer and creative, based in Singapore who is deeply passionate in the realm of typographic systems and graphic design, and draws his inspirations from language, history, culture, religion, and literature. The majority of his works are based on ideas of the past, recontextualised for the modern setting. Fatih holds a belief that everything around him can spark inspiration if pondered deeply enough, yet recognises that sometimes, the most profound ideas strike when he least expects them. This balance of active thinking and spontaneous inspiration fuels his creative process.
NODES

Typography & Lettering
Print & Editorial
Branding & Identity
2D Motion Graphics
User Interface Design

EXPERIENCE

2018
Design Intern
qu’est-ce que c’est design

2019
Graphic Designer
qu’est-ce que c’est design

2021-2023
Graphics and UI/UX Designer
Luwjistik

2022
Social Media Designer
Mosque Madrasah Wakaf Shared Services

2021-Present
Freelance Graphic Designer


ACCOLADES

Diploma in Communication Design, with Merit

Temasek Polytechnic Director’s List 2018-2019

The Crowbar Awards 2019
‘Resurgence of Theos’
1 Silver, 4 Bronze

Singapore Packaging Star Awards
‘Flava Premium Nuts’
Student Sales and Display Category

Feature of Nura Typeface in Men’s Folio November Issue 21


EDUCATION

2012-2015
GCE ‘O’ Level Certificate
Pasir Ris Crest Secondary School

2016-2019
Diploma in Communication Design
Temasek Polytechnic

2023
Exchange Programme
School Art & Design
UNSW Sydney

2021-2024
BA(Hons) Design Communication
LASALLE College of the Arts







2024 © Fatih Rosli

  • Krushev



*Available for free for personal and non-commercial use. It may not be resold, sublicensed, or redistributed. Attribution and credit are required.

  • Krushev, both in Latin and Cyrillic, is a brutalist modular typeface designed to bring attention to the appreciation of its details. The subtleties that makes up Krushev's structured personality, are the ink traps and curves of the slightly digital geometric form. Krushev was constructed using a stiff modular design due to its brutalist nature.

    Brutalist architecture in Soviet Union became the dominant visual reference for the Krushev’s type structure. Krushev's energy and adamancy are encapsulated in the letterforms reflecting the piles of cold steel, concrete and cement commonly seen in Brutalist architecture in Russia, Eastern Europe and Central Asia.